Blog | mi-project

Venetian Glass Beads: A Subtle Commodity

The image of Venetian glass is generally associated to glassware, but a more subtle kind of glass items worked in the lagoon city had been not less important and enduring: glass beads. On the contrary, if glasswork in Venice had suffered periods of crisis, it had been beadwork to provide some respite during emergency times, for example the first decades of the 19th century. Since the later Modern period Venetian glass beads have been commonly known as conterie, a word that re

The World of Feathers

The Museum of Archaeology and Anthropology, University of Cambridge holds an incredibly rich collection of featherwork that was produced across the globe throughout various times, and scholars are eager to study these unique holdings in more detail. During the last months, the archaeological and anthropological collections managers, Imogen Gunn and Rachel Hand, hosted two Cambridge University historians, Professor Ulinka Rublack and Dr Stefan Hanß, to conduct joint research

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Free Access to Article of Materialized Identities Research Group Member

NEW Seminar Series ‘Affective Artefacts’, University of Manchester

The Olfactory Experience of Early Modern Perfumed Gloves

New Book on Early Modern Courtly Matter: Stefan Hanß Conducting Research in Stuttgart

Interview with Marta Ajmar

Making a Tächli-Tüchli: the reconstruction of an eighteenth-century Zürich veil

Feather-Work, Affects, and Colonial Violence in Sixteenth-Century Mexico

Interview with Francesca Trivellato

Interview with Pamela H. Smith

Feathers and the Renaissance World of Fashion, Warfare, and Health: Prof Ulinka Rublack in Conversa

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Materialized Identities

Objects, Affects and Effects

in Early Modern Culture

1450-1750